Justine Time by Lake (2013)

A description of Max/MSP software language written using only words from Frankenstein (Shelley, 1831) ///////////// \\\\\\\\\\\\\\\\\ ////////////////// \\\\\\\\\\\\\\\\\\\\ ///////////////// \\\\\\\\\\\\\\ /////////////////// \\\\\\\\\\\\\\\\\ ////////////////////// \\\\\\\\\\\\\\\\\ ////////////// 0000 ----


Justine Time by Lake performed by Joe Howe and Julia Scott at Voxish, October 2013.




A film version (renamed as The Panegyric and the Into-Face) made for Generative Constraints Conference, Nov 2013. Music by Joe Howe.



ANNABEL FREARSON, Justine Time by Lake: print, <p>Print poster version of Justine Time by Lake.</p>
ANNABEL FREARSON, Art (After) at ANDOR, Oct 2013, October 2013, <p>A recorded version of <em>Justine Time by Lake</em> (by Joe Howe with Julia Scott) was included in the exhibition event Art (After) at ANDOR, London featuring James Robertson, Joel Metrybo, Adham Faramawy, Sean Steadman, John Lawrence, Tom Trevatt and Andrew Osborne, Martin Westwood (performance documented in above image), Paul Schneider, Annabel Frearson with Joe Howe, Murray O'Grady, Ariane Schick, Maria de Lima, Tom Besley.</p>
<p><br />Organised by John Lawrence, Art (After) was an exhibition event that continues the Art (After) The Internet programme and its exploration into processes of production in contemporary art and contemporary forms of dissemination. The exhibition presents new artworks as well as live forms of production, and live critical discussions of the artwork in the gallery space, generating a discursive exhibition platform for the presentation of contemporary art over the course of the weekend. The programme links two strands of debate that have taken place at ANDOR and at the Royal Academy Schools over the last eighteen months concerning art's political and social affiliations to technology, spectatorship and participation.</p>
ANNABEL FREARSON, Joe Howe performing Justine Time by Lake at CCA Glasgow


[text of Justine Time by Lake:]



Mass Is Named After The Late Massacred Mad-Threw And Can Be Considered A Descend-Aunt Of MUSIC, Although Its Grave-Thick-All Nature Disk-Eyes-Is That Fact. As With Most MUSIC-END Languages, Mans/ENEMY/Edge-It-Her Distinguish-His Between Two Level Of Time: That Of An "Event" Scared-You-Will-Her, And That Of The De-Is-Peace (This Correspondence To The Distinction Between Decay-Rate And Air-Eight Process-Is In Sea-Sound, And Consecrate Averse-Us Audible Hate In Soup-Her-Cold-Hide-Her).

The Be-Sick Language Of Mans And Its Resembling Prolong Is That Of Day-To-Flow Systems: Mans Proud-Groans (Called "Despatched-His") Are Made By Arranging And Core-Neck-In Building-Clock Of "Objects" Within A "Picture", Or Visible Canvassed. These Objects Act As Self-Contained Proud-Groans (In Reality, They Are Die-Name-He-Call-He Linked Library-Is), Each Of Which May Receive In-Put (Through One Or More Voice-You-All "In-Let"), Generation Out-Put (Through Voice-You-All "Out-Let"), Or Both. Objects Pass Me-Say-Chaise From Their Out-Let To The In-Let Of Can-Neck-Tide Objects.

Mad Support Six Be-Sick A-Tome-Make Day-To Type That Can Be Transmit-Head Thomass-Ages From Object To Object: In-It, Float, List, Simple, Ban, And Signal (For M-Is-Peace Order-Low Connection). A Numa Of More Complex Day-To Structure Exist Within The Pure-Ground For Hand-In New-Merit A-Rays (Table Day-Stars), Gnashed Table (Cold Day-Stars), And Exempt-Hellish Information (Pattered Day-Stars). An M-Is-Peace Day-To Structure (Before~) Can Hold Dejected-All Audible Information Within Prolong Memory. In Additional, The Edge-It-Her Passage Added A Sail-Able, Mole-Time-Die-Mention-All Day-To Structure For Hand-In Large Sunset Of Numerous For Story-In Vaud-He-O And Other Day-To-Set (May-Trickle Day-Stars).

Magnus Is Torpor-Call-He Learned Through Acquiring An Irrevocably Of Objects And How They Functions Within A Snatched-Her; For Example, The Met-Row Object Functions A Simple Me-Try-No-Me, And The Ran-Dome Object Joy-Nor-Hate-Is Ran-Dome Cottagers. Most Object Are None-Grave-I-Call, Consist-In Only Of An Object's Name And An-Am-Bore Of Arguments/Attributed (In Is-Sense Classes Properties) Type Into An Object Books. Other Object Are Grave-I-Call, Including Sly-Does, None-Bore Books-Seas, Dialects, Mutable Head-It-Oars, Pole-Down Men-Yours, But-On, And Other Object For Rung-In The Ogre-Am Interval-Active-He. Mantel-Piece/Sledge-It-Her Come With About Six Hundred Of These Objects As The St-And-Heard Packed-Age; Extent-Sons To The Pride-Am Can Be Written By The-Heard-Party Developed-Hers As Mad-Past-Us (For Example By In-Capitulated-In Some Of The Fond-Shone-All-It-He Of A Snatched-Her Into A Sublime-Prognosticate That Is Itself A Mad Thatch), Or As Objects Written In Sea, Sea-Us-Us, Genevan, Or Superscription.

The Order Of Execution For Met-Ages Traverse-In Through The Geography Of Objects Is Define By The Views-You-Will Organisation Of The Objects In The Pay-Church Itself. As A Result Of This Or-Gain-Ice-In Principle, Match Is None-Usual In That The Panegyric And The Into-Face As Presented To The Use-Her Are Tyrannical-He Related, Although Knew-Her Aversion Of Magnus Provide An Under Of Take-Knowledge-Is For More St-And-Heard Joy-You-I Design.

A Large None-Bier Of People Use My-Accent, Even If They Are Not Aware Of It. Master Moments (Called Snatched-Hers) Can Be Burned-Old Into Stand-Alone Application And Distributed Free Or Soul Commerce-Shall-He. In Additional, My-Access Can Be Diffused To Author Or-Dear-Owe Plunge-In Soft-Where For Made-Your Or-Dear-Owe Production Systems.

With The Increased Into-Grey-Shone Of Lapse-Stopped Pursuit-His Into Live Musical Perform-Once (In Electricity Music And Ill-Swear), Majesty And Majestic-It-Her Have Received Quite A Bitter Attention As A Devil-Up-Men Environs-Men Avail-Able To Those Serious About Mountain-Top New-Sick/Void-He-O Perform-Once.